I wrapped up the last leg of my 10 km walk and a satisfying smile
covered my face. This was often followed by a small act of self-pampering -
treating myself to a dose of good music, while positioned strategically on the
corner bench of the park, amidst the man-made "nature". Talk of
simple pleasures of life!
As I approached my regular bench, I saw a frail figure already
seated there. It would have looked really rude to just turn around so I
continued forward. And now I could see the figure on the bench more distinctly
- an elderly woman (okay make that old!), clad in a printed cotton
salwar-kurta, of short and petite frame, with the darkness of times she had
traversed through, written all over her face!
Her face was engulfed by lines, of all sizes, running in all
directions. When she saw me, those lines curved into a smile, reminding me of
the caricatures we drew in our art class. I smiled hesitantly and sat on the
bench, at a considerable distance, the maximum a limited size bench could
offer.
She had now turned towards me, and I could feel her gaze on me. It
was slightly uncomfortable and I was already doubting my sensibilities
while choosing to sit there when she asked,
"Aap yahiin rehte ho beta?"
The voice was shaking. I could feel the vibrations. Oh wait,
I could hear the vibrations. I looked up from my phone and said a
quick, "ji..", only to get busy in my phone again, or at least
pretend to!
Well, to cut the long story short, we spent the next half an hour
talking, rather me listening to her. She seemed to be a highly intelligent
lady, very well read, and having excellent communication skills. It turned out,
she had just returned from her son's place in Delhi, where she was taken to,
after the death of her husband.
She turned into the quintessential proud mother when talking about
her highly successful son. Her eyes gleamed when she informed me about her son
being a state-topper, while in college, and how she had stood by him, through
his fears and apprehensions, as a mother. She seemed to remember those
incidents which definitely occurred at least fifty years before, with such
precise detailing like it was just yesterday. She talked about her
accomplished daughters who lived in the same city. She talked about her
adorable grand-children, and how they ALL wanted her to stay in Delhi only but
it was she who was adamant to come back - to this old house in the city, where
she had to fend for herself, with no support from any one, at the tender age of
80.
I was reminded of this beautiful poem by Zehra Nigaah, "Ek Sachchi Amma ki Kahaani." Something
cringed deep within me, that almost felt like a pain. I got up, gave her a
tight hug, promised to meet her the next day, and left with that pain now brimming my eyes.
Mire bachche ye kehte
haiN
“Tum aati ho to ghar
meiN raunaqeiN khushbueiN aatii haiN
Ye jannat jo milii hai
sab unhii qadmoN kii barqat hai
Hamaare vaaste rakhna
tumhaaraa ik sa.aadat hai
Badii mushqil se maiN
daaman chhuDaa kar lauT aayii hooN
Vo aaNsuu aur wo
ghamgeen chehre yaad aate haiN
Abhii mat jao, ruk jao,
ye jumle sataate haiN
MaiN ye saari kahaani
aane waaloN ko sunaatii hooN
Mire lahaje se lipTaa
jhuuT sab pehchaan jaate haiN
Bahut tahziib waale log
haiN sab maan jaate hain
-Zehra Nigaah (Ek Sachchi Amma ki Kahaani)
मिरे
बच्चे ये कहते हैं
"तुम
आती हो तो घर में रौनक़ें खुशबुएँ आती हैं
ये
जन्नत जो मिली है सब उन्ही क़दमों की बरक़त है
हमारे
वास्ते रखना तुम्हारा इक सआदत है।"
बड़ी
मुश्क़िल से मैं दामन छुड़ा कर लौट आयी हूँ
वो आँसू
और वो ग़मगीन चेहरे याद आते हैं
अभी मत
जाओ रुक जाओ, ये जुमले सताते हैं
मैं ये
सारी कहानी आने वालों को सुनाती हूँ
मिरे
लहजे से लिपटा झूट सब पहचान जाते हैं
बहुत
तहज़ीब वाले लोग हैं सब मान जाते हैं
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